OzProblems

Australian Chess Problem Composition

Welcome to OzProblems.com, a site devoted to the chess problem art in Australia! Whether you’re a player who is new to composition chess or an experienced solver looking for challenging problems, we have something for you. Our aim is to promote the enjoyment of chess problems, which are at once interesting puzzles and the most artistic form of chess.

Problem of the Week

628. Rauf Aliovsadzade
Original

Mate in 3

  • The weekly problem’s solution will appear on the following Saturday, when a new work is quoted.

  • See last week's problem with solution: No.627.

An in-depth introduction to the art of chess composition, examining various problem types and themes.

Prominent Australian problemists write about their involvement in the contemporary problem scene, and present some of their best compositions.

A comprehensive collection of Australian chess problem materials, including e-books, articles, magazines and columns (all free downloads).

A chess problem blog by Peter Wong, covering a range of subjects. The main page provides a topic index.

See latest post below, followed by links to other recent entries.

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The three special moves in chess – castling, en passant capture, and promotion – often serve as the focus in composed problems, where they have a natural appeal. Typically one kind of special move gets elaborated in an interesting way, such as the variety of promotions seen in the Allumwandlung theme. However, what if we combine the three special moves so that they all appear in the solution of one problem? Such a blend of effects is known as the Valladao task, and it’s named after Joaquim Valladao Monteiro who organised a composing tourney for the theme in the 1960s. The Valladao is a worthwhile idea even if the thematic moves are shown somewhat disparately, but the best renditions tend to connect them in some way and incorporate additional features. We shall look at three directmate problems that demonstrate the task here, plus more examples from other genres in Part 2.